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Pippa Considine introduces Televisual’s Production 100 survey of the indie TV sector and finds producers still searching for light at the end of the tunnel
Autumn 26
The top commercials houses in the UKÂ and their thoughts on the year ahead.
Spring 26
Winter 25
The best new finishing work in the UK from Goldcrest, Films at 59; The Look and many more
Autumn 26
For Emma Moran’s comedic cold war thriller, Honey produced by Sid Gentle, the team had to recreate 80s East Berlin, much of it in Lithuania. Jon Creamer reports
Autumn 26
Factual television producers have felt the squeeze more than most, but they’re finding new formats and funding models and exploiting their IP across digital platforms too.
Pippa Considine reports
Autumn 26
Scientific understanding of the world’s oceans has moved on markedly since the last Blue Planet, and so has the tech available to bring it to the screen. Jon Creamer reports
Autumn 26
24 business leaders from many of the UK’s largest post houses explore post’s role in modern production, why so much of its contribution remains commercially invisible, what needs to change now and how the business model might evolve towards a more resilient future as cloud-first workflows develop.
Autumn 26
Autumn 26
A look at the producers who really live up to the word independent
Autumn 26
Production companies reveal the rival indie outfits they rate the highest
Autumn 26
Indies on the best PSB and streamer customers to work for right now
Autumn 26
Televisual’s annual showcase ofthe UK’s top production companies.
Autumn 26
A creative showcase of the best recent work in vfx, post, animation and graphics from UK facilities