Filter by editorial
and / or Filter by genre
&/or Filter by genre
The top commercials houses in the UKÂ and their thoughts on the year ahead.
Spring 25
Winter 24
Pippa Considine introduces Televisual’s Production 100 survey of the indie TV sector and finds producers still searching for light at the end of the tunnel
Autumn 24
A creative showcase of the best recent work in vfx, post, animation and graphics from UK facilities
Summer 25
Harry and Jack Williams’ latest, The Assassin, had to battle production delays and soaring Greek temperatures to hit its target. Jon Creamer reports
Summer 25
Entertainment TV has registered big new hits recently. And the streamers are in the market now too. Pippa Considine reports
Summer 25
With fully-funded commissions becoming more rare, factual TV producers are increasingly looking for deficit finance. Pippa Considine reports
Summer 25
The TV studios business has had some lean times but is the gloom lifting? Pippa Considine reports
Summer 25
Five top scripted directors tell Jon Creamer about the art and craft of high-end television and film directing
Summer 25
Kevin Hilton finds out how the sound team kept the tension high for Danny Boyle’s latest, 28 Years Later.
Summer 25
It’s been brutal in the UK VFX industry with many storied companies going to the wall. But there’s now a slight sense of optimism with work trickling back and new opportunities ahead. Michael Burns reports
Summer 25
Virtual production is now a very useful tool in the producers’ toolbox as more and more productions employ it. And the possibilities keep on expanding. Michael Burns reports
Summer 25
The colourists of four recent standout productions explain what it took to create a grade that made the story shine through. Jon Creamer reports
Summer 25
As post has become ever more complex, the need for Post Production Supers has soared. Televisual surveyed them to find out how the role is evolving.
