Category: The Talent
Top Production Designers who have been responsible for building the worlds of major films and TV series explain how they transform scripts into physical reality. Jon Creamer reports
Winter 25
Michael Burns asks the cinematographers behind movie Die My Love; Sky Atlantic’s Amadeus and long running spy thriller Slow Horses how they helped make their projects shine through
Winter 25
The editors behind The Ballad of Wallis Island; BBC police series Blue Lights and Sally Wainwright’s Riot Women tell Michael Burns how they created the perfect cut
Winter 25
Autumn 25
Five top scripted directors tell Jon Creamer about the art and craft of high-end television and film directing
Summer 25
The colourists of four recent standout productions explain what it took to create a grade that made the story shine through. Jon Creamer reports
Summer 25
As post has become ever more complex, the need for Post Production Supers has soared. Televisual surveyed them to find out how the role is evolving.
Summer 25
A look behind the scenes of five new Televisual films that quiz the makers of Race Across the World, Drive to Survive, Vietnam: The War that Changed America and Devil in the Family on their secrets for success
Spring 25
With domestic television drama in particular facing a funding crisis right now, Televisual asked five of the CEOs and founders of some of the biggest UK drama independents about the current state, and the future fortunes, of the genre. Pippa Considine reports
Spring 25
Screenwriting can look like a closed shop for those on the outside. Pippa Considine reports on efforts to uncover new scripted talent